Oolong pu'er, revisited

 

one of my all-time favorite teas;  it was fresh, bright, sweet, fruity, and approachable

I wrote about this theme long ago (in 2018, here).  Before posting this I'll re-read that, but it's really on a slightly different topic.  In the past people that's what people called sheng pu'er that was approachable when young (newish), or else "pulong," if it wasn't bitter and astringent.  That could have related to some oxidation occurring as a processing input, but the tea character could have worked out that way for whatever varying reasons.  Plant type material and processing varies, and climate and weather input does, and so on, so a tea could be approachable and lack challenging forms of aspect intensity for different reasons.  One other input could be that it was over-heated, so more similar to green tea, which works out in some comparable ways, but that isn't the same thing.

The main idea, as I remember it, was that sheng pu'er that is sweet, mild, floral, and fruity (often including that range) early on won't usually age as positively, and it's more suitable for drinking within a couple of years of production.  Or maybe that was just my take, which could've shifted some since then?

This is about pu'er with actual oxidation input, more specifically about a few related versions like that from Vietnam, so really "pu'er-style tea," given the Yunnan origin naming designation limitation.  That naming convention is a bit odd, to me.  Matcha isn't restricted, that name, or Oriental Beauty isn't (which is kind of politically incorrect now anyway), and limiting something like Darjeeling to that named origin area is completely different.  But I get it, and will just move on.

the 2023 (left) and 2024 versions; it may not only be extra age making one darker

Quang Tom Lao Cai origin examples

This theme comes up a good bit related to South East Asian origin sheng pu'er (or the same tea under whatever name you apply), but not as explicitly as in this case, where the vendor is open about the input.  It's written on the label (for a tea I just reviewed, from the Quang Tom producer out of Lao Cai, Vietnam):

Name: Freshly Fermented Green Tea Cake (Green Tea Series) 

Ingredients: 100% ancient Shan Tuyet tea buds, sun-dried and fermented. 

Storage: Store in a cool, dry place with humidity < 70%, away from direct sunlight. 

Shelf life: Suitable for long-term storage under appropriate conditions. 

Instructions for use: Take 5g of tea and brew with 250ml of boiling water (>95 degrees Celsius), steep for 30 seconds, then pour into a cup or mug to enjoy. 

Food Safety Certificate: 04/2024/NNPTNT Phone: 0961.129.186 Address: Bac Ha Town, Bac Ha District, Lao Cai Province 

Produced by: Quang Tom Cooperative, Bac Ha District, Lao Cai Province, Vietnam Production date: 06/2023 Net weight: 350g

Then again it's not really green tea (mentioned on that label), but what else would they call it?  Some South East Asian producers call it pu'er anyway, but I can see why more don't.  The most common work around is to call SE Asian "pu'er" dark tea, a reference to hei cha, and that doesn't work very well either, because pu'er may or may not be hei cha, depending on how one interprets the category breakdowns.

That reference to fermentation could just mean aging input, change related to fungus and bacteria activity since it was produced, but I'm taking this to relate to an addition of extra oxidation.  Whatever words cover those two processes in Vietnamese may not be clearly distinguished through translation, or a decade ago it was pretty common for Chinese producers to refer to oxidation as fermentation (again probably related to a translation error).

I usually use "sheng" to describe the tea type, but if they translate that on to "raw," that actual meaning, then it makes no sense.  Raw what?  The old Vietnamese name related to the sun-dried form, per some hearsay input, calling it "dried tea," which doesn't really help.  I've seen it marketed as snow tea or shan tea, but none of that is a real common type name (and per some recent input some of that is a reference to plant type range there, so I guess to some range within the Assamica variety, not processed tea type).  So green sort of works, even though it's not really that.

Related to this tea, to 2022, 2023, and 2024 versions of it that I've reviewed here and here, base flavors of honey and dried apricot stand out, with citrus or other spice range varying by version.  That makes it sound like there is some pleasant complexity, and that's true; to me the teas were quite enjoyable, complex, and well-balanced.  They are personal favorites.  They just lacked typical sheng bitterness and astringency, which for many would be giving up a lot.  For people who have only tried factory tea versions it might be hard to relate to that being a problem, but those inputs balance a lot better in higher quality, more whole leaf versions.

In discussing this with Steve of Viet Sun he raised a good point about why some might not like teas like this:

I think they are interesting. And also very easy drinking compared to traditional or semi traditional young sheng.

One of the big things people are into with puerh is the terroir inputs so making reddened puerh really takes a lot of that away. 

So you can have teas from different places that taste similar.  That kills the experience for a segment of that community.

I agree completely, even though I hadn't been thinking of it that way.  A version tasting like pear, honey, dried apricot, and citrus is distinctive, but somehow a lot of the complexity young sheng expresses does seem to get narrowed down in related versions.  It can be hard to write out the list of a half dozen distinctive flavors, as people tend to, but even without generating such a list you generally get a sense that there is a lot going on with many forms of sheng, usually seemingly accurately attributed to a narrow origin terroir input.  

Bitterness balances the rest in an interesting way, and that astringency adds depth.  There might not be more flavors expressed, so complexity could be similar in one sense, but somehow it often seems there is more going on.  It's not always completely positive, but in the better half of all cases it all is generally good.  Transitions across infusion rounds can vary more, even though that also just depends.

Farmerleaf more oxidized sheng pu'er examples

This theme comes up elsewhere, in other cases than atypical South East Asian tea processing.  Here is an online post from Farmerleaf on this subject; that I see as interesting background:

That's labeled as "Partially oxidized Puerh tea: let's try it again!," relating to a 2023 experiment.

William regularly explores and experiments with tea style variations; his channel includes lots of reference to that.  To me it's especially interesting related to descriptions of sheng and black tea processing.

Of course I'm not saying that this processing is somewhat identical (in the Farmerleaf experiment and the Quang Tom producer version).  That tea, in his video, was oxidized through a very long wither, prior to the frying (sha qing / kill green), and per discussion with Phuoc, the Quang Tom producer, at least some of the oxidation in the other Vietnamese versions occurred after that step instead, and maybe more of it.  I'm listening to that video again now as I write this; I lose track of what I've seen.

The darkening of his leaves during the frying step does look similar to the darkened Quang Tom version.  It's interesting that William mentions using a low heat to limit the charring of the leaves, in that extra dried conditioned (the withered leaves, left to rest for an extended time, weren't re-wetted).  His description goes further; it's really worth watching.  He says that roasting the tea can be included but it will simplify the tea character, so it has to be used sparingly, and that he isn't including that extra step for that batch.

I think I want to keep it that way [not pressed, as moacha] because it's an entertaining tea of course but maybe not achieve that a tea Enthusiast would would like to have every day.

He ends up saying more about how processing inputs, the frying approach, changes things than how the extra oxidation makes a difference, but that's especially interesting:

I don't Shuffle it too much because I want the steam to build up in the batch, so I will use minimum shuffling just to prevent any strong burning.  And then if we want to make a roast I think we'll try to do that a bit towards the end.  But I'm a bit scared of doing that roast because a light roast can really enhance the complexity of the tea, but on the other hand if you do it too much it also simplifies everything, so roasting is a bit like putting sugar in the tea.  It's a bit like it somehow when you smell it's more complex but the mouth feel tends to be a bit more simple... 

He never did include video content description from when it was finished, in that clip, beyond this comment:

I can smell both and you could say a new long-like fragrance so an oxidized fragrance mixed with some notes of roasting...

photo of the leaves from the product listing, probably before sun-drying

A bit of Google search turned up the product listing:

Spring 2023 Reddened Puerh tea

Processed on April 8th 2023

Ancient tea garden leaves from Nuo Gu Wan, Jingmai village

24 hour-long withering, check the video to know more

This is a continuation of an experiment we made last year. While conventional Pu-erh tea benefits from 2 to 6 hours of withering, we let these leaves on our bamboo baskets for a whole day. This leads to a reddened tea, which has to be processed carefully due to the lack of water in the leaves. After pondering the question over the length of a video, I decided against roasting the tea, and kept the temperature on the lower side during the session.

Still no aspects description there, but we can accept a customer comment as limited feedback:

Nice experiment. I was lucky to get a bag of 70g.

On then first infusion seems to be a white tea, fragrant, elegant smooth sweet thin no astringency and bitterness. With the second infusion it is showing slowly up its raw puer character . I like it very much.

Another comment mentioned the approachable nature, limited astringency and bitterness, and a hint of citrus.  

If the Quang Tom producer had used an extra roasting step that could explain the darkened leaves in the 2023 version, since they look to be charred a bit in processing.  Or maybe they also pan-fried (kill-greened) partly dried leaves, also using a long wither, and that led to some being singed a little during the frying step.  William stressed that you need to be careful to avoid over-roasting, and the related trade-offs he is cited as mentioning here.  In a limited form it might be fine, but extending those comments a little going too far it could add a flaw to the tea, not just a tradeoff, but also some actual char effect, as we more often see in roasted Wuyi Yancha oolongs.  

You really should watch his video instead of accepting my summary, if those ideas are of interest.  He goes further with background and outcome descriptions, which I could cite more of word for word to avoid mischaracterizing that or getting it wrong, but it seems better to just cross reference it here.  It's not that long a video, and it's interesting.

That earlier post on oolong pu'er (in 2018)

This tied to a past favorite sheng version that I was talking about just then (in 2018; before I had the same degree of exposure to pu'er experience, only a few years into main exploration then):

A comment about a Moychay Nan Nuo sheng relates directly to that (here on Reddit, by Jay, if he's familiar, who sells tea here):

It'll be interesting to watch it age over several years but my gut instinct is that it will fade rather quickly in BKK. The fruity flavors often indicate oolong style pu that will fade out with age.

I had framed a similar idea in that original review more as a question.

I love the fruit in it, and that overall "bright" effect.  Often when I'm drinking sheng made within the past year I'm saying this might be better in a year or two, a little less edgy, but in this case I'm not so sure.  If that brightness were to decline, as it would to some extent, the balance might be just as positive, or more so, or the tea could've been best drank when very young like this.

All that is probably as good a subject theme intro as what I've written.  That tea did die a couple of years later; it shifted to include warmer and deeper tones, and lost the brightness and fruit, most of what was positive about it.  If my tea budget had been deeper I would've re-bought that, or the next year's version, to try aging what I didn't drink right away, but I didn't.  Kind of unrelated background, I bought that tea in a shop in St. Petersburg at New Years time in 2017-18.

so many amazing sights on that Russia trip, but this captures my favorite part

the more iconic scene version

I retried that 2017 Moychay Nan Nuo in 2020, documenting where it was then, and it was fine as a 3 year old version, but as I remember from trying it since it was going quiet.

Then there is the "awkward teen years" theme to account for.  At a tasting meetup over this past weekend we tried a nice Xiaguan version from 2018 that I really like, that is good, but is at an awkward stage in its transition process (reviewed here last year).  It's missing part of the more forward, higher end flavor range and punch, and the warm flavor tones haven't completely swapped in for that brighter floral scope yet.  I still kind of like it like that, even though it is a little out of balance.  It's sort of supposed to be; aging transition makes the most sense earlier on, when it's limited, and then later, when it's more complete, but not so much in the middle.  The timing of that varies; I've tried 10 year old tea that still seems pretty fresh, stored cool and dry, but 8 years of time in Bangkok contributes a lot more transition, just not in exactly the same form.

It seems like a good place for me to add the next source of evidence, something that really brings all this into clearer focus, related to a tea I've tried over a decade of aging.  I've tried Thai versions that were somewhat approachable early on that I've experienced changing over a few years, but the starting point was never the same (really bright, sweet, and fruity, with really limited bitterness and astringency), and I haven't tried any aged longer than this last 4 year example (nearly that; it will be 4 in 4 more months).  I've probably tried a good bit that was older that had already went dead; I mean examples of the entire sequence. 

I've tried at least a couple versions of somewhat older Wawee Tea Thai sheng, but if anything their versions run a little closer to standard Yunnan style, so that really doesn't work.  Of course the same applies to Hong Tai Chang versions, if that is familiar.

Other cited input in that Tea in the Ancient World "Oolong Pu'er" post

Returning to this post section theme, I re-read that 2018 post from this blog, and it's interesting (kind of new to me too, for being that far back).  It includes input from William, again of Farmerleaf, citing him as the Bannacha owner.  His 2023 thoughts on the subject represent what he now thinks, instead of from way back when, but I'll cite part of it to get a feel for the input range:

By controlling the Sha Qing time and the wok temperature, you can make redder or greener tea, and, as long as it's not extreme, I think there's a large span of well processed tea. Then, it depends on your personal taste, what kind of aroma you prefer, and which mountain you're dealing with. I like a greener processing on Mengku tea, because it brings out the high pitched fragrance of this area. Redder tea might be good to emphasize on the body, the mouth feeling.

The subject of tea community discussion history is interesting to me (which is something of a tangent here).  It's no secret that William re-branded to Farmerleaf as a new business when moving to Yunnan; this is from the Farmerleaf "about us" page:

Farmerleaf was created in 2016; it is the continuation of our efforts to provide high-quality teas worldwide.  We started selling tea online in 2011 with www.bannacha.com which is based in France and offers mostly Pu-erh tea. We are now based in Puer city, Yunnan, in which we have our office and storehouse. We have chosen this city because it is in the center of the Pu-erh tea production areas and the region produces a wide range of white, green and black teas, it is also a good place for storing Pu-erh tea.

So some of that blog post is about discussion of this theme on Tea Chat prior to 2016, written about in 2018.  This post reviews a 2016 Jing Mai Miyun version from Farmerleaf in March of 2017; maybe I knew how it all connected in 2018, that his business had either renamed or reset, or maybe that had got by me.

It's all an interesting read, to me, that old oolong pu'er post, but it's lots of mixed input from lots of sources.  People talk about primary flavors, body / feel, and aroma varying, probably using terminology in comparable but perhaps slightly different ways.  Shah82 passes on input in an extended citation, that doesn't narrow down to a short phrase that I can pass on about this subject here.  His accounts of his experiences were always interesting.  And probably still are; after checking in on that shaving forum he had discussed tea in, Badger and Blade, the last post by Shah8 (probably the same Shah) was last Monday, on page 401 of a sheng of the day thread.

Here is what he said about "oolong pu'er" in that post citation (of Tea Chat discussion):

I will say that taste itself is highly deceptive. It depends on your water, whether you let the dry leave sit in the bowl a week or two, or any number of things. It can change with the years. The classic way people buy bad tea is by preferentially buying "approachable" flavor or aroma puerh. Which is why you see so much problematically tinkered puerh that gives a oolongly fruity or floral taste (or more red and mellow malt). 

For me, the easy way to tell, again, is to see whether that aroma *endures*. Many of these teas also will betray badness by becoming hard to drink or pointless to drink by about brew 6-8. *Few* puerh, however, are done straight processing green. A little butteriness is sought after. Or a little hongcha, or some nice smokiness. That's alright, so long as most of the underlying qualities are still there to age.

To me the rest doesn't condense down to ideas that I can simplify and clarify here.  Everyone isn't saying exactly the same things.  Intuitively the tea would become less like normal sheng for including this processing variation, and less like green tea by extension of a sort of relationship between the two types, and more like black tea.  That doesn't really work as a summary.  Bitterness and astringency decrease, and mouthfeel and flavor profile changes, in the ways described here, and in varying ways mentioned in discussions.

One interesting recurring theme was that overheated sheng, which would be much closer to green tea than oolong, could get mixed in with that category.  The typical flavor range wouldn't be the same, but the tea would be aromatic and fresh, losing bitterness and astringency (although it would retain a different kind of edge), and it wouldn't age in the same way.  Put another way it would include a different balance of main compounds than conventional sheng.  It still might seem like "oolong pu'er" to most people, but really it would be more of a hybrid matching green tea range.

I tried a version of Thai sheng from Aran tea that reminded me of this theme, reviewed here in 2020.  They called that pu'er, related to the naming convention issue I covered earlier.  It might sound like I'm saying that they don't know how to make sheng properly, which I don't intend, but even read that way they could have adjusted processing approach in the past 6 years.  I just keep repeating that the character reminds me of green tea in that review, and guess that it might not age-transition well.  I liked the tea; something in between normal sheng and green style would just be heated slightly more in pan-frying, and it could still be pleasant, novel, and fresh, as that was.

Conclusions:

So do these teas ever retain great aging potential, in any form?  I'm not sure.  The 2022 Quang Tom is still pretty good, just shifting to warmer flavor tones, which seems fine, except that I really liked the brighter, fruitier versions earlier.

How did William and Farmerleaf's versions work out?  There's a little on that in that section, a website comment, but trying such a tea fills in a lot more.

To me it's an even more interesting question if moderate aging ever works really well.  I've tried plenty of Yunnan sheng that worked well aged in the 5 to 7 year range under much cooler and drier conditions than in Bangkok.  Here is an example:  a 2021 Tea Mania Gua Feng Zhai version.

I don't keep track of any but the most common village names, and I suppose that could be one, with it presented as from an in-demand Yiwu local area.  That tea is still bright, fresh, and sweet, after five years.  That probably wouldn't be true if it had spent those years in Bangkok, where it's always 25 - 38 C (mid-70s to 100 F), and almost always 65 to 80% relative humidity.  At the coolest and driest times maybe only 60% RH, but that comes and goes fast.

Of course I'm not claiming that the Yiwu / Yunnan tea version I just mentioned was "oolong pu'er," that it was extra oxidized, or overheated in a kill-green step (so more like green tea), or that it doesn't have great aging potential (although a good number of Yiwu origin versions that I've tried didn't).  It seems likely that there is a direct opposition between versions being approachable early on, bright and sweet, highly floral or fruity, and lacking significant bitterness and astringency, or full and structured mouthfeel.  That tea had good feel at 5 years along, as I remember.  This is a mention of that, in that post:

...Spice range definitely picks up, but it's broader than the sassafras was last round...  Then that's rounded out with root spice, more like ginseng, maybe just not quite as punchy and medicinal as ginseng (which is also subtle, in a different sense).  It has changed a lot over the last three rounds [it had shifted from early pear and dried mango range on to floral scope, and then warmer spice tones].  

Of course these flavors link well with the pronounced base mineral tone, which isn't dropping out.  Feel and aftertaste are significant, but those can be more intense in some other versions.  Overall balance is the nicest part, the way it all comes together each round... 

So none of this condenses down to a simple generality, beyond that one (approachable new sheng probably won't age transition as positively, at some point).  But that is only part of a broader story, that would vary depending on why the tea is like that, and that generality could be wrong in some cases.

I think the positive complexity that we expect from sheng, as it ages / fermentation transitions over 20 years or so, wouldn't be present, across many different cases.  That last review excerpt only implies how that goes in lots of cases, mentioning warmer spice range entering in, but that related to a more standard form sheng.  I haven't clearly established that "oolong pu'er" will always just go dead, even though to me that's implied quite a bit here, with sources openly stating that.  William--again of Farmerleaf--explicitly stated that he was curious about this himself, in that video, wondering how the last experiment before that one would transition later on.

If a somewhat oxidized "oolong pu'er" example didn't balance well at 5 to 7 years along it still might not be clear if it's going dead or just in between character forms.  I would expect that I could tell the difference, from the interim aspects form, but it might not be as clear as I'd expect.  

None of this relates to that 2018 Xiaguan example, surely; the starting point must have been very different.  I could re-try the Nan Nuo version I referenced at the beginning to add more related background, but for sure it was never oxidized to the degree these Vietnamese versions are.  These are "oolong pu'er" in two different senses; that Nan Nuo one related to it being approachable, for whatever reasons, and then these Quang Tom teas are intentionally quite oxidized.  

The "somewhat green" overheated during pan-frying pu'er theme is surely a third and different thing.  One would expect that to age even more poorly than the other two types (oxidized sheng, and sheng that just happens to be approachable early on, due to mixed other inputs).  But it would be interesting to try a couple of versions to know better.

Quang Tom 2022 Lao Cai sheng from Vietnam

 

I'm reviewing the last of a set of three Quang Tom producer Lao Cai Vietnamese sheng versions, from 2022, with the other two covered in the last post.  This extends the review of how these teas might age, with this one coming up on four years old.  I'll speculate at the end about how it might continue on after that, but I can't really be sure.

There is no product listing or description to site, since this is a producer, not a resale vendor.  This is their FB profile; that would work for a contact.  There are some photos and videos on there for background, just not as developed as vendor sites tend to be.  That first review post includes more background.

photo color seems a little off; lighting variations change that

Review:

First infusion:  a little light; I'll write out first impressions and the next round will tell more of the story.  It's similar to the other two versions, of course.  Honey sweetness stands out, and deep floral range, like chrysanthemum.  The fruit tone probably is dried apricot, but that will be clearer next round.  The main question here is about an aging transition pattern, beyond yearly version variation, and neither is answered yet.  It's really good; that's already apparent.

Second round:   it's interesting how this expresses a lot of the same range, maybe just not the brighter fruit or floral range, but heavy mineral depth stands out.  So far I think I like the character of the other two better, so although this is really nice that alone doesn't bode well for the short term aging potential of these teas, or the long term potential.  Maybe someone else would really value that mineral depth and come to the opposite conclusion.

If I had only tried this tea version, and not the others, I would be more surprised about and more positive in relation to this aspect set and character.  The honey, floral range, and integrated dried fruit tones are really positive.

Third infusion:  warm mineral tone actually settles out, replaced by more dried fruit.  It is heavier on dried apricot range now.  There's a cool medicinal tone in this, that's hard to place.  A touch of menthol?  If that really dialed up and heavier tones transitioned in this might become great in a novel way.  It's quite good now though; it's not at an awkward.

4:  this is a flash infusion, to see what that changes.  Character is the best yet, but it had already been trending towards that.  Those flavors are complex, packed within the range already described (honey, warm floral, dried fruit along the line of apricot, a touch of medicinal range, near menthol, and warm mineral base).  A hint of citrus might be picking up, or maybe even a little root spice, a root beer / sassafras flavor.  Balance of lighter and heavier flavors, and feel, are all really nice.

5:  more of the same, but that root spice is picking up.  I have a doctor's appointment to get to so I won't be able to describe another 3 rounds, and this will probably keep shifting.  It's great how clean this is, even though a heavy mineral tone could easily have been adjoined by a less clean flavor range.

6:  a hint of vegetal range finally enters in, a light wood tone.  It might not be over for the positive range of flavor transitions but it doesn't seem to keep improving further, based only on this round.  The somewhat dominant root spice, fruit, and floral range is still very pleasant.  Honey tone stands out, but not like in the 2023 version, where it's dominant.  Someone could reasonably interpret a toffee note as pronounced, but there's a lot going on that could be interpreted in different ways.

I just remembered that I never mentioned liquid tea clarity, related to the 2023 version being just a little cloudy in the early rounds.  This version isn't.  That version might have been incompletely dried after a pressing phase, or something else came up in production.  It didn't ruin the tea, or seem to cause much for noticeable flaws, beyond that indicator.

the second infusion of that cycle; it's easier to make out in person

Conclusions:

Experientially, at this point in time, this is my least favorite of the three versions.  So its story is more about what it conveys about aging potential, and beyond that if someone with different preferences might like it the best instead.

Sure, that's possible.  It has the warmest, heaviest, and most mineral intensive flavor profile of the three.  It only hints at menthol and root spice picking up, so there is a lot more potential for it to keep improving.  Or I guess it's possible that the trade-off may seem negative instead, that losing the bright floral and fruit tones over the next few years probably wouldn't be offset by those other flavor themes ramping up, even if that second type of change is positive.  This could be really good in an interesting way in another half dozen years; it's hard to say.

It's also anyone's guess what this will be like in 15 more years.  Some styles of teas just go dead over not much longer than this 4 year span, and it doesn't seem to be doing that.  But it's not clear that a longer term transition potential is positive.  I don't really have the right background of experiences to guess.  I've tried Yiwu that was probably bright and floral, and approachable, as a young version, that lost almost all flavor after 15 years or so, but surely this doesn't match that starting point.  

It's not conventional sheng, with this much oxidation input.  I don't know that aging sheng in Vietnam, or the styles varying, or teas matching this quality level, all goes back 15 to 20 years.  There is plenty of mention of decades old Vietnamese sheng; people convey trying that, even from the 1960s or 70s, and say that it's good.  I've tried some aged Vietnamese sheng.  But the match or mis-match to this style isn't ever clearly defined, I don't think.

The only way to be certain would be to buy a cake or two and wait out that 15 to 20 years.  If I had an open tea budget I'd do exactly that.  Since my case is the opposite, and more than all the free budget that we can spare goes into flying back and forth to Honolulu, and to cover high living expenses there, I'll use the three cakes I have as drinking stock, as I did the last ones.  It's always possible to stash the last 50 or 100 grams, but then you wonder if a large sample portion ages in the same way as a cake.

To me these cakes are great to drink just now, so there's no downside to drinking through them, even if their longer term potential is good.  In every case where I've tried approachable, bright, sweet, floral or fruity sheng that I've loved as a very young version they've never been as good a few years later.  That "approachable" description seems to be the key; sheng with considerable bitterness and astringency edge, even with all the other described aspects also included, might change positively over a few years, or a longer term.

Of course all of this is offered as a perspective based only on limited exposure.  I've tried however much pu'er over the last decade or so, with early exposure 15 years back, but I'm no expert on the theme.  Plenty of others have pushed further through much more experience, based on more outside input, and trying more highly regarded range versions.

Quang Tom Vietnamese Lao Cai sheng, from 2023 and 2024

 

2023 left, in all photos

I'm re-trying a related version of what has been two of my all-time favorite tea versions, for the past couple of years, 2023 and 2024 Quang Tom Vietnamese sheng (from the Bac Ha District in the Lao Cai province).  I reviewed comparable versions here, a year and a half ago, and the 2023 first here, as a gift from Huyen and Seth, two favorite tea friends and Vietnamese tea researchers.  I've just bought these teas, and a third from 2022, one I've not yet tried.

Reading back through those posts the three reviews of the 2023 version and two of the 2024 (counting this one) are really consistent.  It sounds like the 2023 has deepened in flavor tone range over those two years, trading out some bright floral, dried fruit, and citrus range for more honey and warmth, but otherwise it's all pretty consistent.  

These may not be identical versions; the wrappers are different, and the compression level doesn't seem identical.  Maybe the dried and wetted tea photos will turn up other minor differences.  But the character is quite close, except these may be slightly better.  It's interesting to consider how much role variation in pressing process could have played in that.

similar; more variation in the 2023

A  big part of their story is using extra oxidation as an input.  According to Seth that may be a somewhat traditional form in Vietnam, or at least one that has evolved over time and is far from new.  One would expect that to enter in as an extra long oxidation phase during a longer wither, but in discussion with the Quang Tom producer part of it may relate to letting the tea rest after a fixing step (pan-frying), even though to me that's counter-intuitive, adding more oxidation later.  Who knows.  For sure no other material would land on exactly the same results, but maybe other inputs could cause a related positive outcome.

This is their Facebook page, and Instagram account.  I had hoped to cite some description of the tea or producer background there but it's mostly photos of tea, with very little on the area or about processing.  Seth passed on a short vendor summary, in that 2024 blog post I mentioned:

The area Hoang Thu Pho is in Lao Cai province on the east side of the Red River, which flows into Vietnam from Yunnan. It's in a mountain range called Tay Con Linh that peaks further eastward in Ha Giang (province). Son La is in a different mountain range called Hoang Lien Son with slightly higher elevation on the west side of the Red River, and also sits on the Black River, which also flows in from Yunnan. Both tea areas are owned by members of Hmong people groups.

The tea maker for the Hoang Thu Pho cake is a younger guy named Phuc who has been making tea for about six years. He is not Hmong, but he buys tea material from Hmong tea areas and wants to focus on making high quality teas.

Keep in mind this is a small to mid sized local producer, not even a medium sized factory operation.  Of course their main focus is on making tea, not marketing and distribution.  The owner discusses their business theme and values here, on that FB page.

This translated label could work as a product description (translation credit to Google Lens):

Name: Freshly Fermented Green Tea Cake (Green Tea Series) 

Ingredients: 100% ancient Shan Tuyet tea buds, sun-dried and fermented. 

Storage: Store in a cool, dry place with humidity < 70%, away from direct sunlight. 

Shelf life: Suitable for long-term storage under appropriate conditions. 

Instructions for use: Take 5g of tea and brew with 250ml of boiling water (>95 degrees Celsius), steep for 30 seconds, then pour into a cup or mug to enjoy. 

Food Safety Certificate: 04/2024/NNPTNT Phone: 0961.129.186 Address: Bac Ha Town, Bac Ha District, Lao Cai Province 

Produced by: Quang Tom Cooperative, Bac Ha District, Lao Cai Province, Vietnam Production date: 06/2023 Net weight: 350g

It's sheng, whether you want to think of that as pu'er or not.  According to Huyen the old local name for the type had translated as dried tea, if I remember right, and I've tried comparable versions sold as snow tea.  

How could sheng be fermented?  It's probably a reference to oxidation, on that label; of course automatic translation isn't 100% accurate.  It's not a conventional form of sheng.  But I know sheng when I'm drinking it.  If someone else defines categories differently then that's also fine.  It's not pu'er according to the Chinese geographical designation, limiting origin to Yunnan, so it is a little odd calling it "raw something," without including that second part of the designation.

Back in 2015, when I wrote this blog post on "Ancient tea tree high mountain Vietnamese tea" I really didn't know much about tea, or that general type.  This may seem interesting:

Sounds ok; it's a shame the review description is so limited, but if I had said more it probably wouldn't have made much sense anyway.

Review:  

2023 #1:  it's a little light; it will be early for passing on a full impression.  What does come across is fantastic.  These teas, or very closely related versions, have been personal favorites for the past two years, so that is a biased impression.  They're what I like.  They've helped change what I like most in sheng.

Honey sweetness stands out, and warm floral range, probably with fruit that will develop to be more distinct.  Very little bitterness and astringency; this isn't the tea for that.  There's a touch of cloudiness to the tea, which some would see as a likely quality issue, but I don't place it that way.  It's how this unconventional processing output can work out, and it will clear up.  If I was experiencing it as a negative aspect, for example related to sourness or a musty character, that would be different.

2024:  similar but different.  It's heavier on fruit, with a hint of citrus.  Both seem to taste a lot like dried apricot.  These flavor aspect lists aren't worth much, because this is only an initial impression, and both aren't fully wetted yet.  I am already sure that these will be personal favorites.  At a guess it's not exactly the same as the earlier 2023 and 2024 versions, more evident in compression form than this early round's results.  We'll see.

2023 #2:  I kept infusion time limited, not much over 10 seconds, because these were brewing at low intensity due to not being soaked yet, not from lacking intensity (or that was my thinking, at least).  The warm honey sweetness in this is very engaging.  It starts to cross over to a beeswax flavor aspect, which you usually only experience in Jin Jun Mei (Fujian bud based black tea).  It's rich and complex.  

Depth really makes the experience, but that part is hard to describe.  I could drink just this for a month, and not miss other teas.  Other flavor range is supporting that effect, in particular a rich, deep floral range, and supporting dried fruit that is still hard to place, closest to dried apricot.  A warm tone is integrated along with those flavors.  This might taste like both honey and caramel; that could be part of the complexity that comes across as depth.

2024:  again brighter.  The citrus evolves; it stands out more.  Then some warmth and apricot range overlaps with the other, but in a sense it's quite different (and in another sense very similar).  In a way the greater complexity and more bright range makes this version seem better than the other, but that experience of depth is hard to place, and they're both great in slightly different ways.  These are close to the other versions I've drank lots of, but they kind of have to have been pressed separately.

Fullness of feel is hard to capture; these aren't like conventional sheng, with adjoining bitterness seeming to pair with astringency.  They are smooth and full instead, but not in a familiar form within oolong range.  Aftertaste trails nicely, not like the intense after-effect of bitter sheng, a returning sweetness, evolving from bitterness, but the sweetness in the liquid carries over.

note very darkened leaves in the 2023 version (left)

2023 #3:  this is still brewing a good bit darker, with some of the earlier clarity issue resolved.  Leaves are oddly dark, as if singed in places, but no char comes across.  The clean effect across similar flavors intensifies.  I didn't describe earlier rounds as muddled or murky, but this is still somehow cleaner.  Honey and beeswax still stands out, and rich floral tone and some dried fruit, but a new note evolves.  It's hard to say if it's closer to cacao or spice; maybe in between the two.  If it evolves to stand out more it will be easier to tell.  Maybe it's just toffee, the prior caramel aspect changing.

2024:  this gets better and better too.  Citrus is a great addition to the base of the rest.  It's probably closest to tangerine, but maybe how dried tangerine might come across, which I don't think I've ever tried.  Or maybe just fresh tangerine, and then warm dried apricot joins that.  It's missing some of the warm tone range in the other, but somehow there is a common base to both.  

2023 #4:  it might be that a touch of citrus is evolving in this, maybe closer to orange, and then the caramel or toffee sweetness and other flavor seems to change a little.  The brewed liquid is completely clear.  I can't notice any sourness, which should pair with a negative processing or storage input that typically relates to a moderate loss of brewed liquid clarity.  

At this point someone could free associate a very long flavor list.  I keep mentioning citrus, honey, beeswax, caramel, rich floral range, and dried apricot, and now orange, but some of that flavor depth could seem to tie to sweet potato, or to lemon cake (both the lemon and the cake part).  There's a lot going on, and both complexity and depth are good.  And feel and aftertaste expression.  This might be quite like the other 2023 version I've drank through a few cakes of, just slightly better.

2024:  the citrus note seems to gain complexity, adding bergamot range to the earlier tangerine (not so far off, but different).  Again someone could make a long list interpreting the rest.  Feel has a touch of extra edge to it, where the other is deeper and smoother.  Aftertaste might carry over slightly better, perhaps because that brighter range is suited for that.  I wouldn't call any of this effect vegetal but the extra bright range and edge bring something related to mind.  It's like just a hint of watermelon rind.  That's actually pleasant, with so much sweetness and fruit range balancing it.  Maybe tied to that some would see this as tasting partly like yellow watermelon.  Or maybe that's a stretch.

These must not have lost much intensity from shipping effect.  They've been in Bangkok for a couple of days, but I tried them within a few hours of getting them.  It's a really short flight over from Vietnam; I suppose that shouldn't be surprising.

2023 #5:  maybe the best it has been, but not different in terms of flavor range, or other aspects, the balance, intensity, and refinement just really work.  The flavor set is so catchy, the honey, light toffee, floral, and dried fruit range.

2024:  those warmer tones are changing, and the feel.  It has a little more of an edge.  Like a hint of green wood tone?  It still works really well, but it's not clearly the best that it has been.  It reminds me a little of some Darjeeling character, in a good sense.  The other version is harder to place with any kind of comparison.

Conclusions:

In discussing these with the owner, Phuoc or Phuc, he mentioned that he thinks they keep getting better through the infusion cycle.  That was after I had made these notes, which kind of mention that.  Two more rounds were also exceptional, but I can't drink much over a dozen cups at a time, and had already checked out of note taking mode.

I'm surprised that these are slightly better than I expected.  The earlier versions were already two of four favorite sheng versions (along with Viet Sun's Son La, and Aphiwat's local Thai sheng).  Of course other Yunnan origin versions cover traditional style range more faithfully, and lots of that is amazing.  I've tried other sheng pu'er that's as good or better over the past year, in terms of evaluating a quality level, but these are what I've been buying and drinking.  Lots of all of them; kgs worth.

Some sheng purists wouldn't even like them, maybe any of them.  I probably only referenced bitterness here to say that it's missing.  That's perhaps not completely true of the 2024 version, but it's so limited that to a daily sheng drinker it's essentially not there.  So why do I find these so exceptional?

It's in the aspects that I described, and more so in how it all comes together.  Mind you these cakes had just moved from one country to another; they may pick up just a touch more intensity.  And I was already blown away by how good they seem, after drinking multiple cakes of both over the past two years.  I'm down to a third of a cake of the 2023 here in Bangkok, and left just a little of a 2024 to get back to in Honolulu.  

A lot of this over the top endorsement must relate to bias; this is what I have come to love.  When tea friends from a large online tea group visited Honolulu two months ago the 2024 version might have been one of the first teas I made for them.  Or maybe not; my memory is shot, and Aphiwat's tea would've also been a suitable stand-in.  But I think it was the Quang Tom version.  This is what Huyen chose to share with me, two years ago (and Seth; they visited together).  It's shifting a long way from that 2015 kind of harsh green tea I mentioned in this post earlier.

What about the Quang Tom recommendation to use a Western / Gongfu hybrid approach to brew this (5 grams, 250 ml of water, 30 seconds, 95 C, multiple rounds)?  Sure, try that, but once you try full-on GFC brewing (8 grams, 100 ml, 15 seconds, full boiling point, only add time after a number of rounds) that might be how you like it.  It would work for grandpa style brewing too, drinking from a glass or tea bottle without taking the leaves back out, re-adding water as it gets low.

Why are some of the 2023 leaves so, so dark?  Probably charred in the fixing / sha qing.  If the tea wasn't so amazing it would seem more like a flaw.  Maybe it had potential to be brighter, as the 2024 was, but that resulting depth of warm honey, beeswax, dried apricot, toffee, and light citrus also represents a very positive and unique experience.

with deepest gratitude to Huyen, and also to Seth

they also prompted a few rounds of new meetups (Seth is on the bottom)

Gua Feng Zhai gushu sheng pu'er

the 6th round; it stayed pleasant and kept transitioning

I'm trying the last sample of a set of teas from Tea Mania, shared by the owner Peter (many thanks!).  This represents the end of a number of sets of teas I had to try from the middle of 2025; kind of an interesting symbolic turning point.  I won't mind not reviewing much for a month or two, or if it's a slow year after that.  It's a nice experience related to trying the teas, but it involves at least an hour of focus and writing, and then more editing later on.  It's not the time that I'm short on, it's using up that much focus.

This tea was exceptional (I'm writing this just after writing the notes).  I think every single sample from them was, in different ways.  Some vendors are pretty good about only curating what works well.  Farmerleaf is sort of like that.  Yunnan Sourcing sells everything under the sun instead, which works in a different way.  Then it would be a different kind of discussion if their in-house versions are comparable.  I stopped ordering those roughly back when I first started to, just over a half dozen years ago, not because they didn't work out, but I just kept on exploring other things, and other sources.

I bought very little tea in 2025; flying back and forth to Honolulu and living expenses in that more expensive place shattered our Thai-based budget and income.  I bought a 500 gram Xiaguan tea ball locally last year, as an exception, in a Bangkok Chinatown shop (Jip Eu), but the rest I bought was mostly just gifts.  It worked out; I had some tea around to drink from before (as my wife tends to mention), and vendors helped by providing new teas to try.  I'm ordering a few inexpensive cakes from a favorite Vietnamese producer source just now, but in general I'll probably stick to that form this year too.

I get it why people buy teas like this one I review, more towards the $1 per gram scale.  They can afford it, and it represents a type of experience you can't access for 20 to 30 cents a gram.  There's something pleasant about drinking more basic, more limited teas too though.  The ever-escalating quality level or novelty theme experience expectations can be a sort of trap.  It would never be enough.  But then if someone can easily afford to spend a couple thousand dollars a year on tea then why not; there is range beyond this expense level that might even make sense.

I was going to add that past a certain quality level of material, or the experience enabled by one, it changes the experience to be one you can just focus on.  But maybe that goes too far.  I could drink a relatively basic Dian Hong, or even some good Darjeeling, or upper-medium quality green tea, and spend an hour outside in our driveway, between the garden spaces, watching our cats chase each other around.  The tea wouldn't be as refined, and it wouldn't change as much across infusions, but the basis of the experience is internal, not from that drink input.  

Maybe trying something new is a different thing; if this had been a Dian Hong I've already drank half a kilogram of the novelty of new experience wouldn't be there.  But still, I think cultivation of being present in the moment of a pleasant and extended experience is not tied to experiential variety, as much as approach and perspective.  It should be possible to drink ordinary tea in a shopping center parking lot and have a wonderful, peaceful experience.  I suppose the parts to tend to build up to the whole though, and an ocean view or green garden spaces would work better, and better tea.  

Like this one:

Gua Feng Zhai Gushu 2021  ($154 for a 200 gram cake)

Discover the exquisite craftsmanship of teamaster Panda with our Gua Feng Zhai Gushu, a distinguished tea known for its exceptional quality. Sourced from the renowned Gua Feng Zhai region, this tea is crafted from premium Gushu material, meticulously hand-pressed into pu-erh cakes at Yang Ming’s artisanal manufactory. The dedication to traditional, handmade processing and the careful selection of tea leaves are what set this tea apart, ensuring a product of unparalleled quality.

Gua Feng Zhai’s pu-erh teas are treasured for their rarity, produced in extremely limited quantities each year, making them highly coveted by collectors and tea enthusiasts alike. The Gua Feng Zhai Gushu is particularly suitable for long-term storage, with the potential to develop richer and increasingly complex aromas over time, offering a truly dynamic tea experience.

Harvest: Autumn 2021

Pressed: 2021

Typ: Sheng

Aroma: Strong, strong Cha Qi but also mellow taste

That's a bit heavy on marketing, but at least the tea is as good or better than the spin frames it as.  It's interesting that it's an autumn harvest tea.  Flavors and other aspects could vary some, but in general those tend to be less intense than spring harvest versions.  One comment here in the review kind of ties to that, but intensity was still pretty good.  Bitterness and astringency were quite moderate, so feel and flavor stand out more, especially flavor.

This probably is a high demand local area, as this implies, or more or less plainly says.  That would be why an autumn harvest version is being sold for this pricing, which for how good this tea is seems like a pretty good value.  I end up concluding that it seems good to me now, that waiting to see how it changes in another decade wouldn't make sense (mentioned in that listing, about aging potential), but I guess that's a judgement call.

It would've been interesting to see more of a flavor list in this description, since I'd guess that it has changed some in the past 5 years.  Those descriptions always vary by interpretation anyway, as the one that follows would.

Review:

Infusion #1:  the dry tea scent was really fruity.  Fruit comes across quite a bit in this first light infusion.  It's close enough to dried mango.  I'll probably keep changing that, or adding to it, but that works for now.  

The tea already has pretty good depth and balance, even though it's just getting started.  Complexity is limited, but it's not even wetted yet.  There's a nice mineral layer base, and creaminess.  That's more common in oolong but it can come up in some sheng, in a different way.  This tastes like pear too, now that I think of it.  That might be an overall favorite aspect inclusion, for me, when balanced with other flavors that match with it.

#2:  Pear, dried mango, and mineral base is already a good start for description this round.  There's a warmer range aspect that matches nicely with the rest, but it's integrated, not easy to describe.  As always in this range interpreting it as partly floral also works.  The two themes might even connect; chrysanthemum has a nice warm, rich, floral texture, and part of this is like that.  

It's complex enough that someone like Don Mei could go on and on describing this round for 10 minutes.  Maybe it does also taste a little like butter cookie, or like a yellow cake.  Maybe seeing it as including a hint of spice also works, just a touch of nutmeg, or maybe there is a light citrus edge.  Take all that with a grain of salt; it's complex, and there is more to it, but I think the first half dozen aspects that I mentioned make the most sense as an interpretation.

It's unusually good.  Does that come across in listing the flavor aspects?  It balances well, and that mix of depth, sweetness, complexity, and overall balance is just great.  There is enough bright range to complement the richer, deeper flavors perfectly, and it's just not a heavy or challenging tea.  Feel is full but aspects like astringency and bitterness don't really come to mind.

For being a 2021 tea this hasn't transitioned that much, but probably some.  This is where more gradual, not so hot and humid storage really shines.  In Bangkok this would've been heavier and further along by now, but it's better this way, I think.  It would probably good in a different way in another 15 years, but to me it's too good now not to just drink it.

#3:  it might integrate and balance even better, even though it's similar.  Mineral picks up, and it had been pronounced before.  I guess that's part of the "depth" people claim relates to gushu forms.  And then another part, or other parts, might be harder to pin down.  One positive input could just relate to it being this good.

Fruit does stand out less, giving up space for that mineral and warm richness.  I guess that also makes the floral range seem to stand out more.  You could probably emphasize the lighter, brighter flavor range by brewing this even faster (I'm using around 10 seconds), and ramp up feel and heavier aspects by letting it brew longer.  To me this is pretty good, a nice balance.  Maybe brewing it a few seconds faster would be as good, or possibly slightly better, and over a few rounds that would get you an extra round.  I'll try it brewed fast next round.

#4:  a flash infusion is probably a little too light.  It still includes plenty of flavor, but the feel thins out.  That really fast brew pacing is more for sheng versions that are overly intense.  A spice note like sassafras shows up, tried out this way.  Or maybe it was evolving towards that anyway.  Again it's quite pleasant.  

It has worked out well to try this tea last from the set of samples Peter shared; it's really pleasant and distinctive.  It will be interesting to see what this sells for.  It reminds me of a past personal favorite from Nannuo, that probably wasn't this good, but that paralleled some of these flavors.

#5:  spice range definitely picks up, but it's broader than the sassafras was last round.  Describing it clearly isn't going to work, even in parts.  One part is that, and another is a driftwood sort of sweet and dry woodiness, like how balsa wood smells.  Then that's rounded out with root spice, more like ginseng, maybe just not quite as punchy and medicinal as ginseng (which is also subtle, in a different sense).  It has changed a lot over the last three rounds.  That really short infusion approach could also relate to slowing the transition, or trying to, to get the most out of the tea where it's at in the cycle.  

Of course these flavors link well with the pronounced base mineral tone, which isn't dropping out.  Feel and aftertaste are significant, but those can be more intense in some other versions.  Overall balance is the nicest part, the way it all comes together each round.  Usually I'm bored with writing notes by this point but I'll describe one more round, even though it will probably change some after that.

#6:  it changes less than it had over last rounds.  Mineral and warm spice tones pick up enough that it's taking on a more savory character.  Probably as a much younger tea astringency and bitterness would have been a bigger input, and these warm tones wouldn't have been nearly as pronounced.  To me this represents when partial aging works, when limited transition can be positive, even without trying it then.  

Then again I would've liked the intense bright flavors when this was quite new, even with more bitterness and astringency included.  Bright floral range and lighter fruit range probably would have stood out.  It's nice like this; these warm tones work.  The tea retaining some light and bright range makes them balance well.  Again I wouldn't wait a few years to drink this to see how all that changes; it's in a nice place now.

2022 Lishan Tie Guan Yin, 2021 Formosa Tie Guan Yin

Lishan left, in all photos (much greener and lighter in brewed color)

I'm back to reviewing, covering two oolong versions from Tea Mania, a vendor based in Switzerland.  These were contributed for review, more or less, and also just shared by the owner as a tea friend (many thanks!).

Their teas are pretty solid, so I went into trying these with high expectations.  They lived up to them.  That can be a problem, expecting teas to be on the far side of above average, because if anything is missing some of the expected type-typical aspect range, and aspects that serve as quality indicators, or just isn't a tight match to preference, then it can seem all the worse, where with more neutral expectations that would just be normal.

I wanted to add a little personal update here as well.  I've just returned from living in Hawaii again for a month, staying where my kids go to school in Honolulu.  That was the second month long outing there in the last half a year, and I'll go back again in two more months, for the end of Keoni's senior year there.  It has been quite an interesting four year cycle.  Of course that education was the goal, and that part worked.  Switching over employment back to the US didn't.  Living between the two locations and cultures wasn't really intended.

I suppose because I've spent most of the last 18 1/2 years here in Bangkok, and I still spend far more than half the year here, there isn't really any adjustment to work through going back to Thailand.  In Honolulu I feel like I am adjusting for the first couple of weeks, and it could feel more natural for the entire first month.  Of course it's fantastic there; that helps.  I swam in the ocean, out to a flag about 200 meters out, at least a dozen times in a month.  Running goes better there, due to the cooler climate, just not so much this time related to an Achilles tendon problem.  

I met an interesting tea contact there this time, but left out telling that story, in part to avoid going through the permission step, and because there wasn't that much of a consistent story to it.  It felt like meeting new friends; it was nice.  Discussion was all over the place, as it should be.

No matter where I spend time with the kids things go great, so either place, or anywhere else, is suitable for that.

Back to business here; I'll try to look up listings for what I tried.

The first one I couldn't find; it's not this:  Lishan Tieguanyin  ($31 for 50 grams), even though that's also from 2022.  That's too oxidized; it really can't be the same tea.  Or maybe it is, and that just seems completely impossible to me. 

It's lighter, more like this one:  Lishan Medium Roast ($25 for 50 grams).  But that's made from Qing Xin cultivar, and it's not the right year either (from 2015).  They might buy a lot at one time and then be ok with selling it out over years.  It might be similar to this version, Gaoshan Tieguanyin, just from a different year, with that one listed from 2025.

That second one seems to be this:

2021 Formosa Tieguanyin  ($25 for 50 grams)

Formosa Tieguanyin, hailing from Pinglin and harvested during the spring season, undergoes traditional processing methods, resulting in a tea with a medium to strong degree of oxidation. This oxidation level is notably reflected in the green leaves with a delicate red edge, creating a  a beautiful amber liquor.

The aroma of Formosa Tieguanyin is robust and floral, a quintessential trait of spring teas, accompanied by subtle toasted notes that add depth to its profile. Its fragrance evokes hints of jasmine and magnolia, creating a harmonious bouquet. Depending on the quality of the water used, it may reveal a refreshing, slightly acidic note, adding to its complexity. As you savor this tea, you’ll notice a gentle spiciness and honey-like undertones in the cup, making it a truly multisensory experience.

One of the unique attributes of this Formosa Tieguanyin is its enduring finish in the mouth. The reverberation of its flavors persists over an extended period, inviting you to savor and contemplate its intricate character in meditative silence. Thanks to its traditional processing, this tea is well-suited for storage without compromising its aroma. Over time, as it matures, the aroma transforms, unveiling its own distinct charm.

Harvest date: spring 2021

Aroma: floral notes, reminiscent of jasmine and magnolia, honey undertones

Oxidation: approx. 50%.

Roasting: medium

Terroir: Pinglin, Taiwan

I'm more familiar with sheng pu'er pricing, so I won't be able to add much about the relative value of these.  Are they good for costing in the 50 cents a gram range?  I think so.  You don't find versions as inexpensive as some other types range for better quality Taiwanese oolong; it seems you pay to get versions in that category.  Up towards $1 a gram is normal, and the 50 cents per gram range for good versions is quite fair.

Maybe that's not so much, or maybe it's out of some people's budgets; it just depends on expectations.  But I doubt that you can find anything in a similar quality level in a lower price range.  There must be some decent oolong out there for less, but these have all been exceptional, well beyond decent.

I usually talk through input factors a lot more.  This doesn't discuss any differences related to Tie Guan Yin and more standard Qing Xin variations, and barely touches on the aging issue, that these are nearly 4 and 5 years old.  It works to just describe them.

Review:

2022 Lishan:  this is a bit overbrewed (ok, maybe even more than a bit); I was looking at something online and left it for over a minute.  Not ideal as controlled review processes go, but the tea will be fine.

It's a little strong, but still quite pleasant.  It will interesting seeing how a light version works out, the opposite sequence I normally experience both forms in.  Mineral tone is positive.  Feel is thick and full.  A vegetal range note is harder to place; it integrates well, and it's not negative, but it's less clearly positive.  This includes plenty of that type-typical mineral base and floral range, it's just in an unusual form for being brewed a bit strong.  

Nothing negative stands out; this is one purpose of using stronger infusions, to identify flaws better.  That vegetal range should lighten at a normal infusion strength.

2021 Formosa:  this is in a completely different flavor and character range.  It was more oxidized and more roasted, most likely.  I've always loved that effect when those two things balance well.  I think they will for this version, but again being brewed slightly strong doesn't show it's true potential, beyond highlighting that it doesn't include certain kinds of flaws.  

There's an interesting spice range in this, difficult to determine between root spice and bark spice range.  My first guess is that it spans both; it's quite complex.  One part actually is along the line of cinnamon, but there's a lot more to it.  It will help trying it lighter; that can work better for separating flavors.

Of course both have full feel and pronounced aftertaste expression, brewed a little strong.

Lishan #2:  creamy, light, sweet, and rich.  It is much better in a conventional infusion strength, but it wasn't so bad extra strong.  There's a characteristic high mountain oolong range this covers really well, a mix of base mineral, creaminess, and floral range.  I suppose this is probably identifiable as a region-specific example, and I've tried plenty of tea from different areas in Taiwan, but not enough over the last few years to stay familiar with that.  It's hard enough tracking how that goes for pu'er, which I drink much more of.  

If Tie Guan Yin is an exception for plant type for this area--which it says in a different product description--maybe the type-typical character would be harder to identify, without a lot of exposure.

It's very pleasant.  It didn't lose any brightness of freshness over nearly 4 years of settling (it's from 2022).  It probably did change, and if I'd been drinking a lot of oolong for the past half dozen years I could speculate about how.  Picking up depth?  Who knows.

I can't identify that bright floral range as a specific flower aspect flavor but anyone with even limited exposure with Taiwanese oolongs would already have a pretty good idea of what I mean.  It's not vegetal at all, in this form; that part switches back over, from when brewed too strong, back to floral range, and a flavor that actually seems a little like cream.

Formosa:  more pleasant, again, but of course just a lighter experience of the first round.  Those layers of warm and sweet spice really stand out.  Warm mineral and rich, round sort of feel complement them.  Sweetness is pleasant, for both of these.  Part of the warm, sweet range seems to resemble honey, or maybe that's caramel.  Or maybe both; this is on the complex side.  It's not far off dried fruit but I'm not noticing that standing out.  For being less distinct that could really be floral range instead.

Lishan #3:  maybe vegetal range does enter back in a bit, infused a little stronger than last time, but not overbrewed.  Intensity is good, but that was true when brewed quite light too.  Floral range is still pleasant, and creamy feel and some cream flavor stands out.  The mineral base is quite strong.  

This is exactly what many people would be looking for in a Taiwanese oolong experience.  It's familiar range.  I like it, I guess apparently just not enough to break from drinking pu'er all of the time to seek it out (and some black tea, but that's limited, more a main alternate).  I could drink this regularly and appreciate it.  In a limited sense pu'er seems more intense (sheng pu'er, I mean, of course), including bitterness, strong flavors, and a particular astringency.  But this is very complex and intense in flavor, and the rich feel and aftertaste provide secondary supporting experience.

Formosa:  I could speculate about another half dozen flavors being included in this, it's that complex.  But describing it as primarily in spice flavor range, a broad set of inclusions within that, and including mineral base, sweetness, and other range like caramel mostly gets it.  

It would work to interpret part as being a rich, heavy floral range, or seeing some of that towards-earthiness range connecting with dried fruit.  Maybe dried longan?  Only people who have tried dried longan would recognize how much of a compliment that is.  It's probably my favorite dried tropical fruit.  There's something so catchy about it that once you start eating it it can be hard to stop.  It doesn't stick around for long.  Of course once you think of the association it seems obvious, and accurate.  Let's say this tastes like dried longan, and set aside the rich floral part for now.

In later rounds the roast input didn't integrate as well, which is actually normal for this range of oolong.  I didn't take notes past these early rounds but it held up to brew quite a number more.

Both are really good.  Both are extreme examples of the positive potential of Taiwanese oolong.  I'm curious what the aging input contributed, nearly 5 and nearly 6 years for both.  They mellowed and deepened?  It almost had to be positive, given where these are now.  

There isn't a hint of negative aspect range in either.  That can be hard to appreciate, noticing something that isn't there.  And intensity and complexity is great for both.  If this more oxidized and roasted version isn't too costly it would be ideal for buying quite a bit of, to drink over the next decade, and then to experience as a truly aged version (which of course would seem all the more true after 20 years, not "only" 16).  

Looking back at the included price, added during editing, this is 50 cents a gram.  It could pay off to buy some to drink and some to forget about for awhile.  

I left out part of the personal backstory, about the tasting.  I had changed countries less than a week before, which didn't add too much jet lag, but I had cut my thumb hand-washing a knife earlier that morning, and went on to get stitches later.  I don't think it threw off my perspective much, but in retrospect it was a little strange doing a relaxing tea tasting between those two steps.  I didn't think the injury was so bad.

Our cats are just now experiencing exploring the outdoors, two kittens that are about half a year old now, or I guess maybe even 8 months.  That's not so distracting, more a pleasant step to witness.  They both just learned to climb trees this weekend.  I do end up getting up a lot, from a table outside, to check that they're not walking out into the soi / alley, going around our gate.  On a later day I climbed that tree myself, to help one down, since she hasn't figured out the down-climb process yet.

Life is all about those ups and downs, isn't it?  In two months I'll be a more direct part of my kids experiences, which I just hear about by video call now.  There's lots more drama when I'm not there, which I guess is partly a good sign, that I help keep it all tracking well when I am there.